Category Archives: Slow Food

Greenmarket in the Studio #7

11/6/2009 Brussels Sprouts - Belting out a tune

11/6/2009 Brussels Sprouts - Belting out a tune (probably a show tune at that)

Ethel Merman screen capture from YouTube

Ethel Merman screen capture from YouTube

Standing over three feet tall and looking like Ethel Merman belting out, “No Business Like Show Business,” this stalk had over 70 Sprouts clinging to it. And the leaves at the top? Well that’s just a giant Brussels Sprout, kinda like a head of cabbage, really. And those leaves, they’re about 14 inches across. Huge.

I know a lot of folks hate these, and I really don’t understand why. Sprouts sliced in half and sautéed in olive oil for a few minutes and dusted with pepper and a twist of freshly ground sea salt makes this a wonderful side dish with pasta.

Brussels Sprouts Spine

Brussels Sprouts Spine

As a side note, PJ, my studio mate, came in and suggested this would look like a spine if I cut the head off, which I did and, sure enough, it looked like a curved scoliosis spine. But after spending all that time with this stalk on set, I had grown used to that big head of leaves and I couldn’t help but feel it looked a little anemic without it.

BTW, trying to lay out multiple images in WordPress is challenging. There’s not a lot of room for design.

Shooting from the Hip # 28

8:43AM, 10/28/2009 Radishes and Carrots

8:43AM, 10/28/2009 Radishes and Carrots

Another shot from last week’s rainy Wednesday.

Shooting from the Hip # 27(Rainy Days)

8:46AM, 10/28/2009 - Accidental Tableaux #2

8:46AM, 10/28/2009 - Accidental Tableaux #2

Last Wednesday it drizzled pretty much all day. A little rain isn’t going to keep me from pulling out my trusty G10 and shooting. Rain brings out deeper tones and saturated colors while giving a specularity to things we normally associate as being visually flat, especially root vegetables which are covered with a dusting of earth. I tried Googling it but I can’t find a scientific explanation for why this is. I know it has something to do with the optical nature of H2O. It must be when light passes through or is reflected off a thin film of water. Let me know if you have the answer.

And, that carrot on the ground? It was out of frame until a group of people passed by and someone kicked it into my field of view. Without that carrot, it’s a different shot.

Greenmarket in the Studio #6

Double, double toil and trouble; Fire, burn and caldron bubble.

Double, double toil and trouble; Fire, burn and caldron bubble.

A Chinese lady came up to me in the Union Square market last Monday morning, pointed down and asked, in broken English, how much? I don’t have a clue what gave her the idea I worked at this particular kiosk at the market, but it gave me pause to look down at a group of pumpkins with long, wild stems, as if they had been torn off the vine instead of cut. No prices.

Now, I wanted to know, too. How much? They were two bucks apiece. I took the three most interesting stems (almost more important than the pumpkins themselves) and bagged them so the stems didn’t break on the way back to the studio. Then, I stopped and told the lady how much they were, but she looked at me in a funny kind of way – I don’t think she understood me or, maybe she’d already gotten over her pumpkin jones.

Vicki says these pumpkins remind her of Shakespeare’s witches in Macbeth.

A dark Cave. In the middle, a Caldron boiling. Thunder. (Shakespeare)

Happy Halloween. (Not Shakespeare )

Shooting from the Hip # 26

9:08AM, 10/14/2009 End of Season Corn

9:08AM, 10/14/2009 End of Season Corn

There have been too many attempts shooting corn with nothing to show. Husks are just not an easy subject. But someone pulled the husk back on this one, revealing the corn and leaving it on top of the heap in the early morning light, which moved across the kernels in a hurry.  It took less than 60 seconds before the light moved off that perfect spot. Three shots. That’s all I had time for.

Then, the light was gone.

Shooting from the Hip #25

9:04AM 10/21/09, French Breakfast Radishes in Union Square Market

9:04AM 10/21/09, French Breakfast Radishes in Union Square Market

Some things look completely different from different angles. You wouldn’t expect that from French breakfast radishes since they’re more or less symmetrical and, unless you’re a radish, can tell the difference. So, here are two shots, taken less than two minutes apart. Diffused sunlight through the vendor’s white tent fabric and shot from this camera angle (Originally shot from the side and flipped 90º), this capture feels soft and nurturing.

This shot (below), however, I captured from the top of the stack (I flipped this upside down – clever me) and the radishes cast a shadow on themselves. A totally different feeling: dramatic, almost threatening in a scary movie kind of way. Alien. I like the top shot for the one radish rising about the crowd. I like the bottom shot for the drama of the tangled white roots rising against the receding shadow and gray pavement of Union Square.

9:06AM, 10/21/2009 French Breakfast Radishes Alternate

9:06AM, 10/21/2009 French Breakfast Radishes Alternate in Union Square Market

Why so different? It must be the light. Or maybe it’s the camera angle. Then again, if I’d not turned them, would they have been as visually compelling? Maybe not, as I passed these over at least three times in my editing before taking on a different perspective. Simply shooting from the hip is not always enough to get to an interesting shot.

Sometimes you have to stand on your head (metaphorically) to make things interesting.

Greenmarket in the Studio #5

Sweeping Leaves, Mustard Greens

Sweeping Leaves, Mustard Greens

Now that I’m moving onto this dark thing…

Black backgrounds are so completely different to shoot on. The black just wraps itself around the subject matter. Where white is wholesome, clean, crisp and elegant, and never loses my subject, black is erotic, deep, surrounding and foreboding (but not in a creepy kind of way), and can swallow my subject like a black hole.

Recently a friend asked if I was tired of shooting vegetables and the market. No, not really. It’s challenging to find the interesting and unusual in the familiar; it’s not always easy. And what I find fascinating is, there is a front and a back to these studio subjects that I am sure is not intentional, but purely by coincidence. The most involvement I have on set is getting the produce to stand up. With very few exceptions (like Green Market in the Studio #4), I don’t style. If a stem is broken or a leaf torn or eaten by a passing insect, I don’t retouch it. It’s about real food, just as I bought it. The only difference is, I shoot it before I eat it.

If you like arugula, broccoli rabe and bitter greens, you’ll love this very simple recipe for wilted mustard greens.

Wilted Mustard Greens

1 bunch of mustard greens (about a pound or a 2″ circumference of stalks when tied with a rubber band – that’s about what I had)

2 cloves of garlic pushed through a press

3 or 4 tablespoons of dashi (at about 1:5 dashi to water) or vegetable or chicken broth

1 tablespoon of olive oil

1 tablespoon of sesame oil

Okay, here’s how: Tear off the leaves from the stems and thick veins (and discard those guys)  and wash and dry them as you would lettuce. In a large frying pan or sauté pan heat up the olive oil on a medium/high heat and add the garlic and brown (about a minute). Add the dashi or broth to the pan and add the greens, tossing gently for about a minute or so (not much more, or you find it’s cooked down to nothing). Remove from the burner, drizzle on the sesame oil, add salt and pepper to taste and toss. Put it on a nice plate and eat. Serves 2 to 4, depending upon how much you love your greens.

And don’t forget to share.

Shooting from the Hip #23

8:51AM, 10/14/2009 Assorted Hot Peppers

8:51AM, 10/14/2009 Assorted Hot Peppers

There’s been a debate about this image. Should I have included the funky tomatoes tablecloth under these boxes hot peppers, or cropped it out. I have a couple of shots this week with tablecloths making their debut in my market photos (at least that I know of, I should go and look). The other one, oddly enough, has an assorted hot peppers tablecloth under three bunches of rainbow chard. A lovely, colorful image taken just a moment later, but chard has had it’s fair share of blog time and I didn’t want to post another chard photo. So I’m posting just a little detail for fun.

8:50AM, 10/14/2009 - Rainbow Chard #3 (detail)

8:50AM, 10/14/2009 - Rainbow Chard #3 (detail)

Funky tablecloths. Is it me, or is this is a trend?

Either way, I like them.

Shooting from the Hip #22

10:15AM, 10/07/2009 - Plums at Union Square Market

10:15AM, 10/07/2009 - Plums at Union Square Market

It’s been a long week and I’m off to Boston to do some cycling and check out the markets. There are some plans in my back pocket for new portfolio pieces and those should be under way next week some time. I’m thinking about moving on to a black portfolio, the white book is pretty well rounded out and it seems a good compliment. Anyway, fire looks good against black. Look for the test results, coming soon to a blog near you.

And, Obama won the Nobel Peace Prize. That should make his day. It sure made mine.

Now, if only he can get a decent healthcare bill through congress so freelancers aren’t penalized by the system any longer.

Shooting from the Hip #21

10:28AM, 10/07/2009 - Edible Pansies at Union Square Market

10:28AM, 10/07/2009 - Edible Nasturtium Flowers at Union Square Market

When fresh flowers, or any fresh fruit or vegetables for that matter, are placed into a clear plastic container or bag, they continue to breathe. They exhale carbon dioxide, creating condensation, vapor and water, becoming the artist’s thumb, smearing and distorting the under painting.

This isn’t the first time I’ve photographed edible flowers in boxes; in fact, I may have a few hundred shots like these from a half dozen attempts. This is however, the first time the contents have been right. The colors were right. The condensation was right. The light was right.

If at first you don’t succeed, blah, blah blah.