The Fun of Being Thoughtful.

No kidding, that’s the name of this “educational” film that is part of the Internet Archives (a fun site to visit for ephemeral films) Ernest M. Ligon, Ph.D, author of The Psychology of Christian Personality (published 1938) was the educational collaborator. This short film from 1950 is about the Proctors, a family that seems to be on Prozac, or maybe that’s Xanax. Scary, this one is.

It demonstrates how the perfect family behaves, thoughtfully (oh, gag me now). They have no real emotional stress. Problems are resolved with a double date (more like cheating on the girlfriend and supported by the sister) and talking to dad and mom about sensitive issues. They’ve got to be kidding. This genre of films were shown right through the early 70s in high schools, until someone got smart and realized, Zombies!

I try to be thoughtful, but not as dramatically moody as Eddie, when I make cold calls to people I hardly know (sorry to all the art buyers). Behavior like this today would be considered psychopathic and the Proctor family may go berserk at any moment with their repressed anger.

The Fun of Being Thoughtful.

No kidding, that’s the name of this “educational” film that is part of the Internet Archives (a fun site to visit for ephemeral films) Ernest M. Ligon, Ph.D, author of The Psychology of Christian Personality (published 1938) was the educational collaborator. This short film from 1950 is about the Proctors, a family that seems to be on Prozac, or maybe that’s Xanax. Scary, this one is.

It demonstrates how the perfect family behaves, thoughtfully (oh, gag me now). They have no real emotional stress. Problems are resolved with a double date (more like cheating on the girlfriend and supported by the sister) and talking to dad and mom about sensitive issues. They’ve got to be kidding. This genre of films were shown right through the early 70s in high schools, until someone got smart and realized, Zombies!

I try to be thoughtful, but not as dramatically moody as Eddie, when I make cold calls to people I hardly know (sorry to all the art buyers). Behavior like this today would be considered psychopathic and the Proctor family may go berserk at any moment with their repressed anger.

12/14/09, 10:14AM Union Square Market - Where's the Purple Broccoli?

Where’s the purple broccoli?

I make my marketing message as clear as possible because I want the attention of the smart, little shops with brilliant creatives who fly under the radar, as well as the equally brilliant big boys. I’d certainly lose the interest of those I wish to work for if I sent out a constant stream of mixed messages. Not an easy task in a competitive industry as this, but probably one of the most important lessons we can learn and a word we know all to well. Focus.

If you want to find your audience, keep your message consistent, your work focused and your vision clear.

Petey. If the studio had a mascot, it would be Petey.

There is a chunk of nearly every day dedicated to writing, reading and exploring. When I launched this blog last July, it felt like a chore to keep up all my marketing efforts. Twitter. Facebook. The blog, and all the other places I’m active. Now, what it’s become is a morning routine. This isn’t a bad thing. I’ve read various articles and postings on the value of social media, and I can’t say that it’s brought me work, but what I can say is, it’s brought me discipline. It keeps me current with the rapidly changing face of commercial photography and offers up opportunities, if I choose to take them on. The web is a level playing field and that’s what I have loved about it since I built my first website in 1995.

This week, The Photo Argus featured D.A.Wagner photography and a D.A.Wagner Photoshop tutorial, both a direct outgrowth of my social medial efforts. Social media works. just not the way I had imagined it would.

It just keeps coming together.

Petey, here, seems to have a different opinion. But I beg to differ.

Onion Mirror

A vision evolving.

While in the process of this particular exploration I’m finding there is a lot of failure. Not failure in the sense of exposure or composition, but failure in concept and vision. And, there’s certainly no value in putting images into my book simply because I did it. Right now, I’m developing the concept of a dark series. The vision is evolving and this shot is more like what I need for the new series; it definitely feels like a sister image to the Steak photo that started it all, back in October.

Now the challenge is to find a thread that connects my next dark image to the first two.